On Crafting Interiors With Intention and Edge

With an effortless eye for detail and the work ethic of a perfectionist, interior design is more than just a job to Logan Solorzano; it’s a passion and labor of love. At just 30 years old, Logan has successfully run her own interior design company, Zano Interiors, and brought people’s dream designs to life.

We caught up with Logan to chat about her design journey, how she approaches styling, and which Merola Tile products she’d recommend for creating standout spaces.

Q: Tell us a little about yourself.

A: I’m a 30-year-old Long Island native who moved to New York City at 13 to attend the renowned Fiorello H. LaGuardia High School of Music & Art and Performing Arts—best known as the “Fame School.” I initially pursued a career as a professional dancer, earning a BFA in Dance alongside a bachelor’s degree in American History. But after graduation, I found myself at a crossroads. I knew I was deeply passionate about the arts, but I didn’t want to rely solely on my body for my career.

Through some honest soul-searching, I realized I needed a creative path that offered both longevity and personal fulfillment. I enrolled in a few interior design classes at my local community college—and by the end of that first semester, I knew I had found my calling. I started staging and decorating homes for friends and family, and eventually joined Pottery Barn as a designer while finishing my associate degree in interior design. Helping people furnish their homes and map out floor plans felt natural—like choreographing a space instead of a stage. That same sense of rhythm, beauty, and storytelling carried over, and I haven’t looked back since.

Q: When did you first enter the world of design?

A: My entry into the world of design came from a mix of instinct, necessity, and a bit of creative serendipity. After stepping away from dance, I knew I still needed a creative outlet—something I could build a future around. I signed up for an interior design class at my local community college, mostly on a hunch, and it clicked almost instantly. It felt like everything I loved—storytelling, composition, texture, emotion—was still there, just translated into space and material instead of movement.

I started staging homes for friends and family and took on small decorating projects that quickly turned into full-scale design work. That early hands-on experience, paired with my time working as a designer for Pottery Barn, really grounded me in the practical side of the industry. It wasn’t just about making things look pretty—it was about solving problems, creating flow, and helping people feel something the moment they walked into a room. That’s when I realized I was officially “in” the world of design—and that I wanted to stay in it for good.

Q: When did you start your own company?

A: I started my LLC in 2021, not long after stepping away from my role at Pottery Barn. At the time, I teamed up with a former coworker to launch the business together—we were both excited to bring our shared experience into a more personal creative space. But as the business evolved, it became clear that our design visions were taking different paths, and I made the decision to continue solo.

Since then, I’ve been the lead designer of Zano Interiors, and it’s been an incredible experience building a brand that truly reflects my perspective. For nearly two years, I’ve been designing spaces that feel thoughtful, expressive, and grounded in storytelling—and I’m so proud of the work I’ve been able to create under my own name.

Q: What is your favorite part of being an interior designer?

A: My favorite part of being an interior designer is helping clients see the full potential of their space—especially when they didn’t think it was possible. So many people assume interior design is only for big budgets or grand homes, but I believe every space is worthy of great design. Whether it’s a modest apartment or a full renovation, I love showing clients what their home can become with the right vision, intention, and creativity.

There’s nothing like witnessing that moment when they walk into the finished space and see their home transformed—when it feels more beautiful, more functional, and more them than they ever imagined. That feeling never gets old. It’s the most rewarding part of what I do.

Q: Can you tell us about your passion for tile?

A: I’ve always seen tile as more than just a functional material—it’s foundational, sculptural, and full of soul. It brings instant character to a space and can elevate a room before any furnishings are even added. Whether it’s through texture, color, or pattern, tile has the power to transform.

One of my favorite ways to use tile is in a shower, where hand-cut zellige creates this beautiful, watery depth that feels like art every time the light hits it. I also love using classic porcelain checkerboard on a mudroom floor—it’s timeless, hardworking, and adds just the right amount of visual interest the moment you walk in. To me, tile is like a quiet centerpiece: it grounds a space while adding personality, and it does so without needing anything extra. That’s what makes it such a powerful design tool.

Q: Tell us about your own design aesthetic/style.

A: My design style is rooted in honoring both the home’s architecture and the people who live in it. I love working within the framework of a home’s original character—whether it’s a mid-century gem or a traditional colonial—and then weaving in the personality, lifestyle, and taste of my clients. I never want a space to feel like it’s fighting against its own story.

If I’m working in a historic home, preserving and celebrating its original details is incredibly important to me. At the same time, my role is to interpret those elements through the lens of my client’s vision. So while my aesthetic naturally shifts from project to project, there’s always a throughline of timelessness. I aim to create designs that feel intentional, balanced, and built to last—not just in materials, but in how they make people feel year after year.

Q: How has your interior design style evolved over the years?

A: My style continues to evolve with every place I visit and every new experience I have. Travel is essential to my growth as a designer—it opens my eyes to different textures, palettes, architecture, and ways of living that I might never encounter otherwise. Whether it’s a tiled courtyard in Spain or a quiet farmhouse in the Northeast, I’m always observing, absorbing, and taking notes—consciously or not.

Research and continued learning also play a huge role in how my style has matured. The more life I live, the more layered and thoughtful my designs become. I’ve learned to trust my instincts, edit with intention, and design spaces that feel collected, not constructed. My aesthetic isn’t about chasing trends—it’s about building environments that reflect a deeper sense of place, purpose, and personality.

Q: Talk to us about your vision for your Merola Tile × Zano Interiors collaboration.

A: I was drawn to this combination because of the warmth and depth it brings. The rich, inviting tones create a grounded base, while the metallic finish on the subway tile adds just the right amount of edge and sophistication. Calacatta Viola is such a stunning natural stone, and Merola Tile’s porcelain interpretation captures its drama and elegance beautifully.

This or That

Large Format or 12×24? — 12×24

Checkerboard or Zellige? — Both (too hard to choose)

Marble or Tile? — Marble look and concrete look

Pennyround or Hex? — Pennyround

Herringbone or Chevron? — Herringbone

Pastels or Neutrals? — Neutrals

Flat or Textured? — Textured

Matte or Glossy? — Matte

Warm tones or Cool tones? — Warm tones